Adobe Premiere: The Basics Pt 1

A look at how to use Adobe Premiere CS3. this WILL get you to be know how to edit/create movies and the options within this program. I hope you if you watch these 2 part video you will have an idea on how to do things within Premiere. (Original File) from Premiere was 2.2 Gig but converted it to 30Mb so sorry for the loss of quality.

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How to Use Motion Tracking – Adobe Premiere Elements 8

How to use motion tracking in Adobe Premiere Elements 8. This video will show you how to use the tool to create quick motion tracking without having to use keyframing. It can be used to track any subject or part of a subject in your videos. This tool helps you make nice effects with clip art, videos, photos, or text.
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This video will show you how to make a lightsabre in Adobe Premiere Elements 8. It also shows you how to make lightning shoot from your hand. It is a great demo with effects and sound.

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Adobe Premiere Pro CS4 Essential Training DVD Part 10/60

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Premiere Pro CS5 Ultra Key Sample Footage

Sample footage produced by the Adobe Premiere CS5 Ultra Key. This footage was produced with Panasonic AVCCAM footage (HMC150) edited “RAW” in Premiere Pro CS5. No rendering was required during editing, it played in real time on the timeline, and Premiere exported this seven or so minutes of keyed footage in less than fifteen minutes. Meaning — it took longer to upload this to YouTube than it did to encode it.
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It’s no secret that two of the biggest enhancements in CS5 are the Mercury Engine and the new metadata workflow. What is surprising is how much faster CS5 previews and renders, especially when editing H.264 based formats (like AVCHD or footage from the Canon EOS 7D) or encoding to H.264 formats. This webinar will quantify these performance enhancements using real world projects and detail the optimal CPU, OS, RAM and graphics card configuration. If you produce script-based productions, and value metadata in the production and output pipeline, you’ll really appreciate the script to screen workflow that Adobe created in CS5, including the new Adobe Story, a script development tool, the enhanced Adobe OnLocation, for shot list creation and metadata collection during the shoot, to Premiere Pro for editing and out to Flash. There’s even a new time-based workflow for automatically matching OnLocation placeholder shots with clips shot with a non-tethered camera. In addition, there are several critical new features in Premiere Pro, SoundBooth and Adobe Media Encoder, like the Ultra Chromakey effect from Serious Magic, now a GPU accelerated effect in Premiere Pro. You’ll read a bunch of hype about the new release, this webinar will lay the new features out for you and tell you the investment in hardware and software that you’ll need to fully leverage them. If you’re considering upgrading from CS3 or CS4, you’ll find this 90 minutes very informative and worthwhile.

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